Air New Zealand fashion week

It's taken me a while to get round to talking about ANZFW. And, if I'm honest, it's partially because it was a bit of an anticlimax after NYFW. I'm kinda glad I only had a couple of shows to do. The week started off crazy with a K and two EEs (as in krazee). I arrived back from NYC on Saturday morning, straight to Hamilton for my Bro in law's 40th birthday party, then down to Wellington on Sunday to prep for a massive 3 hour fashion week special on the GoodMorning show. We had viewer makeovers, a fashion panel, and a three round, two minute hairstyling challenge with 65 hairdressers and a live studio audience. Crikey! Tuesday I had 17 hairstylists doing 17 flat iron pincurl sets and then stitching the models' hair up into bobs. Luckily I had a couple of days to get my head around the next show, which was my absolute favourite for the week.

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Federation, a sweet little family owned and operated streetwear brand gave me free reign with the hair. My team was awesome! They backcombed the girls hair section by section, sprayed it with Redken Workforce 09 then flat ironed it to create a mad dishevelled texture. Once the hair had cooled, it was brushed out into a fuzz with a mason pearson brush. A triangular section was created on top by taking a diagonal parting from midway between the crown and the high point of the head to the outside corner of each eye. This top section was overdirected forward and then twisted and pinned into a massive coif. the res of the hair was brushed back and secured vertically up the back just off centre back with interlocking pins. it was then rolled into an oversized french roll and stitched with embroidery thread to secure it. loose bits of flyaway hair were allowed to fall out as the girls walked to create a romantic, rock'n'roll mash up of a hairstyle.

Oyster Magazine Shoot

Just before Rosemount Australian Fashion Week, earlier this year, I had the privelege of working on a photoshoot for Australian Publication Oyster. The photographer was a guy I hadn't worked with before by the name of Stephen Chee and as you can see, he's not too shabby.

The idea of the shoot, was to take a handful of hair directors from RAFW and team them up with a designer to showcase both the clothing and the hair directors skills and vision.

I got to create a style for Melbourne designer Ben Smith and his label Anon. The frock was really elegant and kinda romantic, and I wanted to compliment that with the hair. Using the hair's natural texture, and some U pins, I pretty much just moulded the hair into a kind of 1920s inspired soft felt hat shape.

I have to confess that it is a style I had created a few years ago for a photographic collection, but I loved it so much I wanted to pair the hairstyle with this beautiful dress and gorgeous girl. How's this? I went to L'oreal show a few weeks ago and saw Brad Ngata, owner of Sydney salon, Brad Ngata Hair Direction, and he showed a really similar look that he had created for RAFW using elastic and moulding the hair into a similar shape. I really liked the way he used the hat elastic, only wish I'd though of that!

RAFW update

Well, a bit late, I know, but I've been busy building a page on facebook. Check out Kavanagh: Love your hair, become a fan, and tell everyone you know online to do the same.

RAFW was amazing! did a cool shoot for Oyster Magazine while I was there (wait til you see it, beautiful girl, Beautiful photography by Stephen Chee and cool hair) and I recently found out that on Vogue.com, Arnsdorf (one of the shows I was hair director on) was their pick of hair looks for the week!

 

I also hair directed Melbourne designer Ben Smith's label Anon. A beautiful show with stunning garments in an amazing location. Unfortunatley for Ben, the power blackout in Sydney that morning meant that half his guests didn't make it to see the show. Their loss I say. I covered backstage at Kate Sylvester for Goodmorning and did hair on the show for her as well.

 

A real highlight for me was styling Margherita Missoni (of knitwear giant Missoni fame) at her hotel for her day of media and photoshoots. She likes a really natural slightly dishevelled bohemian look, so i simply sprayed some Redken Fabricate 03 all over her hair and took large handfuls of hair and randomly bent it round my 1.5" curling tong. Just enough bend to give some movement without looking like it had been set. Then, I took a small section of hair from her temples, pulled it back into a small plait below the crown and secured it by bending a bronze U-pin around it. then I rouched the plait to mess it up. Pretty much looked like she just got out of bed and tied her hair out of her face.

If your hands are curious, please share them...

Sitting at a rickety table at a hawker stand at midnight, sharing an open air restaurant with a large rodent and very happy group of young lovers and eating one of the tastiest meals ever is an enduring memory from my trip to Malaysia in October last year.

Kenny Lai, the Redken educator for Malaysia took it upon himself to treat me to 'local delights' and what a treat it was. I was also lucky to experience banana leaf curry. Curry, eaten with the hands and served on a large banana leaf directly on the table.

It's hard to know where to begin with my week in Malaysia. It was a hectic schedule, starting with a 3 hour look and learn seminar for 70 hairdressers showcasing the latest hair trends and techniques from the catwalks of the world, then immediately following that, I led a smaller group in a hands on workshop where we immersed ourselves a little deeper into the fine points of the looks that were presented in the morning.

I'm pretty sure the local hairdressers didn't know what to make of me when I told them how I came to be a hairstylist and what i was planning to share with them. From what I understand, the literal translation of what I shared with them was something to the effect of: 'if your hands are curious, please share them!' what I said was in fact ' by a show of hands, who is curious about what they are going to see here thismorning?'. Little wonder they sat and stared at me stony faced as the translation of my sory of passion for hairdressing came across in Mandarin as my grandmother wanting me to quit hairdressing now...

The second day followed the same format as the first day only I had to demonstarte different content. this time, the session was around long hair styling. It was a lot more relaxed and the audience by this stage had got a handle my strange ways with language and seemed to understand what I was saying a bit better, although, a number of them commented that they would prefer if I spoke Chinese.  Maybe I should take the time to listen to the learn easy Chinese cds I bought all those years ago. Unfortunately my mandarin only goes as far as Ni Hao and Tsing Tao...

Day three was the start of a three day introduction to session styling workshop where I taught a team of ten specialist the fundamentals of styling hair for photoshoots, and fashion shows, and this workshop culminated in a professional photoshoot on day three with local photographer Kim Mun.
Kim Mun was awesome, his studio was relaxed and his attitude made the whole environment one of easy learning and professionalism. The photos speak for themselves.

The shoot was for use as a coffee table style look book which showcases Redken Malaysias hairdressing talent. I was fortunate to create the hair for the cover and the participants of my three day workshop created the looks for the main pages. I was so proud to see the results of their work. Each and every one of them showed that they had really absorbed the information of the previous two days and had clearly taken their skills to the next level!

Redken Artist Randall Wong of The Met Salon in KL was a gracious host and looked after me by taking me out to some the cities hotspots and while I was there I managed to take some time to do an insalon program with his team. We talked about keys to unlocking your creativity and the guys repaid me by straightening my hair with a chemical relaxing service. i must say, the best I've ever had.

With all the activity, I nearly forgot that the day after I arrived in KL I did a photoshoot for Style Magazine where we took a model and gave her three different looks while illustrating and demonstrating the how to achieve the looks step by step.

The best thing for me from the whole trip was seeing the transformation of the hairdressers. Not only did their skill improve, but their energy and enthusiasm was palpable by the end of the week. Redken Artist Anitta Hisham kept asking where I got my energy, and I slyly held up my Starbucks coffee cup, but the truth is, my energy was simply a reflection of what I was getting from the stylists involved in the workshops.

Talk again soon

RK